Bless you, William Burroughs, for this fine prayer that gives me a smile every time I hear it this time of year.
Thursday, November 27, 2008
Tuesday, November 25, 2008
Dentata Morbidium
With thumb and forefinger flanking larynx
Feel the essential pulse that
With its quiet promise
Buys us everyone those things most ethereal
Most important, least tangible
Bouquets of time like wild columbine blooming
Sonnets of serenity and space fathomed
Chocolate boxes of surprise and wonder
Rings of love boundless
Feather beds of dreams
Now picture shooting rat poison straight into your neck
Imagine killing all the little children inside you
Each a cell a-dancing
The dance of regenerative life
Killed with the poison of neglect
At the speed of blood a-pumping
Nowhere in the body is far from the brain
But James!
You gulped down death with every swallow
Never mind the candy necklace of myriad pills
The 30-packs of Milwaukee's Best Ice
Never mind the endless chain of hand-rolled unfiltered smokes
Never mind the dope, the coke, the codeine cough syrup
From crooked docs cross the border
Your head was full of bacteria, brother!
Full of madness not intangible nor untreatable
But easily extractable!
Yet from rotten root to gums to blood
The wretched stuff went rampant
Septic
Systemic
No more time like wild columbine
No more sonnets or surprise
No more boundless love nor dreams
Bad teeth killed you dead.
But "Death not ends it," Jim Morrison said
Maybe so
But severed - yes
From me
From us
From all who loved you
From all new friends and opportunities and light
From all I opened up to you
By inviting you into my world
After first descending in yours
Like the film about the gynecologist brothers
One following the other into morphine addiction
Knowing no other way to reach his identical twin
Than to follow him in
Down the rabbit hole
James!
I miss you terrible
Come back!
Return Lazarus James!
Together we will check into Betty Ford
You can run rings of Jamesian logic round the nurses
With your colossal IQ and sardonic dry desert wit
We will fly to Oaxaca
For no other reason than it has a funny name
And on the way to the surfside palapa cantina
We will stop at La Dentista
and shout "Pull them all out!"
A blood bath it will be
But a damn fine affair
Our own oral menstruation
All that evil bacteria
All that single cell madness
Will leap from you
Like a million toxic fleas
From a dog on fire
Suckers for pain
We will rub the salt on our gums
Then knock back fine tequila and
And toothless, proudly suck the limes
Because the only absolute in this life
Is that death separates
So we will drink hearty me James
Because no vice could ever kill
A colossus the likes of you
It took and enemy more insidious
Hiding there in plain sight
Smiling at us
Smiling through the mirror at you
Teeth
Rotten to the core
Imagine shooting rat poison straight into your gums
Blue chemical toilet treatment
Cyanide
I think of New Zealand poet Janet Frame
A mouth full of dead wood at age twenty
Got her eight years of electroshock hell
She got off easy
You got dead
Dentata morbidium
Or perhaps this is all just bullshit
The imaginings of a deluded poet
And a well-meaning nurse
That really it was your mother who killed you in the end
I'm back in Bisbee now
A year and some months hence
Sitting a stone's throw from One Arizona Street
Where last night I peered in your bedroom window
My palms warm on the flat cold glass
I sat by the the fire pit we made together
Sat on your back stoop
Summoning conflagrations from the storehouse of time
It's all there still
Cleaned up yes
Made nice-nice for the benefit of real estate
But our bonfire energy - ha!
That will never be doused
Let the buyer beware, eh?
My first thought was to buy the place
But you left no will
And your mother who you say despised you
Pinched rich and bitter with empty hunger
That oft comes of too much money
She took it all
The alleged millions left by your father
Still in probate when you died
Everything
Right down to your little house
And at one hundred fifty thousand
It's too much for this poor poet
With credit like a napalmed jungle
It might as well be a billion
But I can dream!
Which reminds me
Of the little game I've been playing with myself
Denying the logical source of my recent ear infection
That long dead molar
Too long awaiting the money for root & crown
Tomorrow I will walk into Mexico at Naco
Have Martinez yank it out
They still let you keep your pulled teeth in Mexico
I will keep it then and clean it
Glue it in my art car
On the alter I made just for you
I will give it a name
I will call it James.
- copyright Rick McKinney 2008
Feel the essential pulse that
With its quiet promise
Buys us everyone those things most ethereal
Most important, least tangible
Bouquets of time like wild columbine blooming
Sonnets of serenity and space fathomed
Chocolate boxes of surprise and wonder
Rings of love boundless
Feather beds of dreams
Now picture shooting rat poison straight into your neck
Imagine killing all the little children inside you
Each a cell a-dancing
The dance of regenerative life
Killed with the poison of neglect
At the speed of blood a-pumping
Nowhere in the body is far from the brain
But James!
You gulped down death with every swallow
Never mind the candy necklace of myriad pills
The 30-packs of Milwaukee's Best Ice
Never mind the endless chain of hand-rolled unfiltered smokes
Never mind the dope, the coke, the codeine cough syrup
From crooked docs cross the border
Your head was full of bacteria, brother!
Full of madness not intangible nor untreatable
But easily extractable!
Yet from rotten root to gums to blood
The wretched stuff went rampant
Septic
Systemic
No more time like wild columbine
No more sonnets or surprise
No more boundless love nor dreams
Bad teeth killed you dead.
But "Death not ends it," Jim Morrison said
Maybe so
But severed - yes
From me
From us
From all who loved you
From all new friends and opportunities and light
From all I opened up to you
By inviting you into my world
After first descending in yours
Like the film about the gynecologist brothers
One following the other into morphine addiction
Knowing no other way to reach his identical twin
Than to follow him in
Down the rabbit hole
James!
I miss you terrible
Come back!
Return Lazarus James!
Together we will check into Betty Ford
You can run rings of Jamesian logic round the nurses
With your colossal IQ and sardonic dry desert wit
We will fly to Oaxaca
For no other reason than it has a funny name
And on the way to the surfside palapa cantina
We will stop at La Dentista
and shout "Pull them all out!"
A blood bath it will be
But a damn fine affair
Our own oral menstruation
All that evil bacteria
All that single cell madness
Will leap from you
Like a million toxic fleas
From a dog on fire
Suckers for pain
We will rub the salt on our gums
Then knock back fine tequila and
And toothless, proudly suck the limes
Because the only absolute in this life
Is that death separates
So we will drink hearty me James
Because no vice could ever kill
A colossus the likes of you
It took and enemy more insidious
Hiding there in plain sight
Smiling at us
Smiling through the mirror at you
Teeth
Rotten to the core
Imagine shooting rat poison straight into your gums
Blue chemical toilet treatment
Cyanide
I think of New Zealand poet Janet Frame
A mouth full of dead wood at age twenty
Got her eight years of electroshock hell
She got off easy
You got dead
Dentata morbidium
Or perhaps this is all just bullshit
The imaginings of a deluded poet
And a well-meaning nurse
That really it was your mother who killed you in the end
I'm back in Bisbee now
A year and some months hence
Sitting a stone's throw from One Arizona Street
Where last night I peered in your bedroom window
My palms warm on the flat cold glass
I sat by the the fire pit we made together
Sat on your back stoop
Summoning conflagrations from the storehouse of time
It's all there still
Cleaned up yes
Made nice-nice for the benefit of real estate
But our bonfire energy - ha!
That will never be doused
Let the buyer beware, eh?
My first thought was to buy the place
But you left no will
And your mother who you say despised you
Pinched rich and bitter with empty hunger
That oft comes of too much money
She took it all
The alleged millions left by your father
Still in probate when you died
Everything
Right down to your little house
And at one hundred fifty thousand
It's too much for this poor poet
With credit like a napalmed jungle
It might as well be a billion
But I can dream!
Which reminds me
Of the little game I've been playing with myself
Denying the logical source of my recent ear infection
That long dead molar
Too long awaiting the money for root & crown
Tomorrow I will walk into Mexico at Naco
Have Martinez yank it out
They still let you keep your pulled teeth in Mexico
I will keep it then and clean it
Glue it in my art car
On the alter I made just for you
I will give it a name
I will call it James.
- copyright Rick McKinney 2008
Saturday, November 15, 2008
Eat your heart out Bill Bryson
I hear that Bill Bryson's admittedly quite humorous tale of his half-assed hump of the Appalachian Trail is about to be immortalized on the big screen. Do I sound jealous? I might be, if not for the occasional letter from a reader such as the one below. Every time I start to feel a little down about the obscurity of my own Appalachian Trail tale, something magical happens. This time, the magic's name was Sara. Thank you, Sara. You made my day. And you will continue to make my day whenever I take a moment to reread your lovely words.
"I've been enjoying Dead Men Hike No Trails, reading in fits and spurts, hiding the book from my bosses who don't know I'm heading to Georgia in March. (I haven't finished your book. But I'm about half a bottle of wine in and feeling a little spooked...) Your tale is intimate, and thankfully so, because who better to tell about how much I've savored this read, than the author? And how often does the reader, especially an anxious one like myself, find it necessary (let alone possible or comfortable) to write the author?
"As your words walk through my home state of Massachusetts and my obnoxious roommate yells around the kitchen, I have my haven of the book and my music. When you wrote "transfixed by Radiohead's Pyramid Song" I gasped and physically threw the book to my feet. That was the song playing on my iPod. So in whatever event coincidence is, whatever forces bring music and reading and dreams together, I appreciate this otherwise superficial connection with you. Thanks for making that possible." - Sara Haxby
(Read Sara's blog!)
Give someone you know the gift of the freedom of six months in the woods this holiday season by picking up a copy of Dead Men from independent booksellers Powells.com, or from the author at Jigglebox.com should you desire an autographed copy.
Also, if you have read Dead Men Hike No Trails but not reviewed it, please take a moment to say a few words about it purely on the level of did you enjoy it, did it inspire you, etc, at Powells.com, a vendor I'd much prefer to see readers buying it from than the big corporate A-hole-a-Zon.
Thank you. -RSM
"I've been enjoying Dead Men Hike No Trails, reading in fits and spurts, hiding the book from my bosses who don't know I'm heading to Georgia in March. (I haven't finished your book. But I'm about half a bottle of wine in and feeling a little spooked...) Your tale is intimate, and thankfully so, because who better to tell about how much I've savored this read, than the author? And how often does the reader, especially an anxious one like myself, find it necessary (let alone possible or comfortable) to write the author?
"As your words walk through my home state of Massachusetts and my obnoxious roommate yells around the kitchen, I have my haven of the book and my music. When you wrote "transfixed by Radiohead's Pyramid Song" I gasped and physically threw the book to my feet. That was the song playing on my iPod. So in whatever event coincidence is, whatever forces bring music and reading and dreams together, I appreciate this otherwise superficial connection with you. Thanks for making that possible." - Sara Haxby
(Read Sara's blog!)
Give someone you know the gift of the freedom of six months in the woods this holiday season by picking up a copy of Dead Men from independent booksellers Powells.com, or from the author at Jigglebox.com should you desire an autographed copy.
Also, if you have read Dead Men Hike No Trails but not reviewed it, please take a moment to say a few words about it purely on the level of did you enjoy it, did it inspire you, etc, at Powells.com, a vendor I'd much prefer to see readers buying it from than the big corporate A-hole-a-Zon.
Thank you. -RSM
Wednesday, October 1, 2008
Corvette off the starboard bow!
Early this morning
I awoke not fully
Thus fully aware
Of where in dreams I wandered.
I was on a boat, a warm wooden ship
One much larger than the fiberglass sloop
On which I daily wake
On which I awoke this morning
Lolling on the wake of early boats a-passing
There were many people aboard my boat
All living in a cooperative way
Companions of a wonderfully quirky sort
Not one of them handsome in a cover model way
But every one aglow with a kind of inner contentment
That made them lovely in their way
And pleasing to behold
Among them was Barack Obama
Who came often to our floating refuge
For relief from a world desperately in need
Of rescue
At some point just seconds before I awoke
A voice hailed me and I ran topside to see
A late eighties copper colored Corvette
Come floating up on a current warm and swift
"Corvette off the starboard bow!" I shouted
And all hands reached out with poles to stop it
From hitting us broadside
With kind eyes my companions smiled
And did not chide my blurted blunder
(It was stern not bow)
So typical of this writer
Whose eloquence on paper
Escapes his oral command
Mumbles dyslexic and obtuse
What's the use?
In dreams I am a captain
Benevolent and smiling with buddha nature.
I awoke not fully
Thus fully aware
Of where in dreams I wandered.
I was on a boat, a warm wooden ship
One much larger than the fiberglass sloop
On which I daily wake
On which I awoke this morning
Lolling on the wake of early boats a-passing
There were many people aboard my boat
All living in a cooperative way
Companions of a wonderfully quirky sort
Not one of them handsome in a cover model way
But every one aglow with a kind of inner contentment
That made them lovely in their way
And pleasing to behold
Among them was Barack Obama
Who came often to our floating refuge
For relief from a world desperately in need
Of rescue
At some point just seconds before I awoke
A voice hailed me and I ran topside to see
A late eighties copper colored Corvette
Come floating up on a current warm and swift
"Corvette off the starboard bow!" I shouted
And all hands reached out with poles to stop it
From hitting us broadside
With kind eyes my companions smiled
And did not chide my blurted blunder
(It was stern not bow)
So typical of this writer
Whose eloquence on paper
Escapes his oral command
Mumbles dyslexic and obtuse
What's the use?
In dreams I am a captain
Benevolent and smiling with buddha nature.
Tuesday, September 23, 2008
Literary Ebb & Flood
The past week has been a bumpy blur of botched plans and dizzying indecision. I was driven for all the wrong reasons to travel 1000 miles to my own personal City of Bad Dreams, due to depart over the weekend. I was going to help a friend with his business for a few weeks. Yeah, me. Writer. Junk artist. Dreamer. Business.
But my feet, which were supposed to have walked me to the train station Saturday morning, were moored deep in the mud of a mean mental ebb tide. I couldn't do it. But I couldn't rationalize why I couldn't do it. Anyway, a wise friend helped me realize that unwarranted guilt was my greatest driving force. With guilt extracted from the equation, the waters of the Pacific flooded back in the Golden Gate, filled the bay and freed me from muddy mind. I unplugged the shore power, cast off lines and went sailing instead.
I say all this to preface the fact that I haven't written in days, never a good thing for me. But I have had sweet moments aplenty. I've been immersed in books lately, great wonderful works that take me far afield of my own silly little nonsense troubles. I have four books going right now. Wonderful stuff. Great literary works all. While the foolish warlords running my country are busy replicating the financial fate of Spain after the Spanish Armada, I'm having my own personal literary renaissance!
And not just as a reader. Thanks to a lovely letter of praise the other day from a woman reader of Dead Men Hike No Trails, I am reminded of just how fortunate I am to be not only a writer reading writers but at once a writer being read! Sometimes I forget.
And then there's Jigglebox. I go to Google and type in Jigglebox + whatever subject of my vast jiggle rants I'm seeking, and the strangest most interesting things come up. Today I was in search of something and came upon this link.
My Weird Life & Luci in the Sky with a Smile
I read it through like one who'd never read it before and found myself nodding in agreement with the writer. Odd little irony, that.
Next week, it being the American Library Association Banned Books Week, I am intent on poring over as much of the following list as possible in the space of a week. Being a slow reader, I couldn't fathom getting through them all in a week. But I will sample them all, savor what I can, and come back later to finish those that grabbed me.
I'll need a place to start among them. Because I am a particularly sexual person currently living a particularly monastic life, perhaps I'll start with the sexually explicit books. Oops! That's nearly all of them! Ha! God Bless the Freedom of Speech. Addled thought it be, long may it live for all humanity.
Read On! - RSM
The “10 Most Challenged Books of 2007” reflect a range of themes, and consist of the following titles:
1) “And Tango Makes Three,” by Justin Richardson/Peter Parnell
Reasons: Anti-Ethnic, Sexism, Homosexuality, Anti-Family, Religious Viewpoint, Unsuited to Age Group
2) The Chocolate War,” by Robert Cormier
Reasons: Sexually Explicit, Offensive Language, Violence
3) “Olive’s Ocean,” by Kevin Henkes
Reasons: Sexually Explicit and Offensive Language
4) “The Golden Compass,” by Philip Pullman
Reasons: Religious Viewpoint
5) “The Adventures of Huckleberry Finn,” by Mark Twain
Reasons: Racism
6) “The Color Purple,” by Alice Walker
Reasons: Homosexuality, Sexually Explicit, Offensive Language,
7) "TTYL,” by Lauren Myracle
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group
8) "I Know Why the Caged Bird Sings,” by Maya Angelou
Reasons: Sexually Explicit
9) “It’s Perfectly Normal,” by Robie Harris
Reasons: Sex Education, Sexually Explicit
10) "The Perks of Being A Wallflower,” by Stephen Chbosky
Reasons: Homosexuality, Sexually Explicit, Offensive Language, Unsuited to Age Group
Tuesday, September 16, 2008
The fleeting floating barrier island dream
Words like "flattened" and "scraped" lop over the gunwales of my skinny little sloop on WiFi waves from the gulf coast of Texas today.
Such definitive language and plenty of daunting imagery strain my hope that friend Stefan's Rollover Bay beach house on Bolivar Peninsula survived Hurricane Ike. Strain, but not collapse. Not yet anyway. There's always hope.
Then again, looking back at Jigglebox.com at my writings from the winter I lived there, I am reminded that to Stefan's mind, the house lived on borrowed time:
Thunder from the East and Stefan speaks of this beach house pink & purple painted stilt stork house as though it weren't even here anymore.
More troublesome are the numbers, figures of how many people stayed behind and how few are yet accounted for. My mind fills in the blanks. After twenty five years without television in my life, my imagination is very much in tact. And so the mind wanders.
And the wind begins to blow. The surf writhes and the water rises like a tide hell-bent on rising to meet the moon.
The crawfish rain from the sky and a thousand hardy Bolivar tough-out-the-storm residents take to the sea in Barcaloungers as an etherial aquarium screen saver swells out of their buoyant television sets in radiant projected imagery filling living rooms with walls once solid now melting into salty night like Maurice Sendak's dream-jungled bedroom of little boy Max who preferred the company of monsters to his mother.
What a daydream. What a drag. What a surreal event is this life, existing on the edge of strange and raging organism.
Earth.
And Jeliza-Rose goes deep sea diving with her daddy, and the house goes down, down, down. This a short YouTube clip of one of the more trippy scenes from one of my all time favorite films. Terry Gilliam, of course.
This article from the NYTimes posted just a few hours ago mentions Rollover Pass, complete with video and slide shows. If I'm not mistaken, the oil pumps pictured in the beginning of the video clip titled "High Island After Ike" are the one's from a favorite little story I often tell friends of my time on Bolivar with Stefan.
Back in 2002, Stefan told me he'd passed the praying mantis-like pumps time and again driving out to his family's beach house since childhood and often imagined what it would be like to climb up and ride one. That was the end of the story. The beginning was that I'd egged him into pulling over there one day, shouting "Let's ride those fuckers!" Up the pumps we scrambled with true irreverent gonzo grit. They're bigger than they look and not a little scary as they buck and curtsy with menacing moans, their creepy tendril straws stuck deep and sucking the blood of the earth far below. Somewhere, I have a photo of Stefan riding one such pump under power with his white cowboy hat flung high in one hand in true buckin' bronco style.
Now that would have been a helluva shotgun seat to ride out raging Ike.
I went digging deep in the muddy backwater of old hard drives and assembled this little photo album of images from my Bolivar days. Alas, no shot of the oil pump ride. Just hafta imagine that one.
- RSM
Such definitive language and plenty of daunting imagery strain my hope that friend Stefan's Rollover Bay beach house on Bolivar Peninsula survived Hurricane Ike. Strain, but not collapse. Not yet anyway. There's always hope.
Then again, looking back at Jigglebox.com at my writings from the winter I lived there, I am reminded that to Stefan's mind, the house lived on borrowed time:
Thunder from the East and Stefan speaks of this beach house pink & purple painted stilt stork house as though it weren't even here anymore.
More troublesome are the numbers, figures of how many people stayed behind and how few are yet accounted for. My mind fills in the blanks. After twenty five years without television in my life, my imagination is very much in tact. And so the mind wanders.
And the wind begins to blow. The surf writhes and the water rises like a tide hell-bent on rising to meet the moon.
The crawfish rain from the sky and a thousand hardy Bolivar tough-out-the-storm residents take to the sea in Barcaloungers as an etherial aquarium screen saver swells out of their buoyant television sets in radiant projected imagery filling living rooms with walls once solid now melting into salty night like Maurice Sendak's dream-jungled bedroom of little boy Max who preferred the company of monsters to his mother.
What a daydream. What a drag. What a surreal event is this life, existing on the edge of strange and raging organism.
Earth.
And Jeliza-Rose goes deep sea diving with her daddy, and the house goes down, down, down. This a short YouTube clip of one of the more trippy scenes from one of my all time favorite films. Terry Gilliam, of course.
This article from the NYTimes posted just a few hours ago mentions Rollover Pass, complete with video and slide shows. If I'm not mistaken, the oil pumps pictured in the beginning of the video clip titled "High Island After Ike" are the one's from a favorite little story I often tell friends of my time on Bolivar with Stefan.
Back in 2002, Stefan told me he'd passed the praying mantis-like pumps time and again driving out to his family's beach house since childhood and often imagined what it would be like to climb up and ride one. That was the end of the story. The beginning was that I'd egged him into pulling over there one day, shouting "Let's ride those fuckers!" Up the pumps we scrambled with true irreverent gonzo grit. They're bigger than they look and not a little scary as they buck and curtsy with menacing moans, their creepy tendril straws stuck deep and sucking the blood of the earth far below. Somewhere, I have a photo of Stefan riding one such pump under power with his white cowboy hat flung high in one hand in true buckin' bronco style.
Now that would have been a helluva shotgun seat to ride out raging Ike.
I went digging deep in the muddy backwater of old hard drives and assembled this little photo album of images from my Bolivar days. Alas, no shot of the oil pump ride. Just hafta imagine that one.
- RSM
Friday, September 12, 2008
Strange Dreams from Rollover Bay
As Hurricane Ike lurks over the gulf coast of Texas tonight, my mind goes back to a beautiful place, a strange time spent writing and contemplating life at friend Stefan's beach house on Rollover Bay, a tiny spot on the map now likely smack in the cross-hairs of Ike. Six years later, I go back and visit Rollover Bay in the writings from that time and am thoroughly transfixed. Rolling back into old Jigglebox.com pages is for me, their creator, a dizzying little dose of carnival ride vertigo, fun and a little nauseating as I remember that yes, I wrote all that and I posted it, and yes, it is still there. With any luck, Stefan's lovely little home on Bolivar Peninsula just east of Galveston will still be there in the morning. There and in tact. I pray. Pray with me for everyone in Ike's path. Even if you're not religious. Pray anyway. It can't hurt.
Here then is the recollection of a somewhat magical, somewhat eerie dream from my website Jigglebox.com from "Narcoleptic November," the rants from my time on Rollover Bay. And yes, I said Rants! The blog had not been invented yet. Let's hope this was just a strange and silly fantasy and not a prescient dream.
For Stefan with love and well-wishes. - RSM
November 4, 2002
Rollover Bay, Bolivar Texas - Coffee. A hot shower to counter the deep, damp chill left by last night's crawfish boil storm. Oooh, what a storm it was! The bay boiling, the Cajun winds howling ghosts of hungry dead fishermen, red hot crawdads slappin' gainst the windows like nickel-sized raindrops, and bluesman Lightning Hopkins singing and strummin' on the porch while the gods cracked atoms overhead and the whole night lit up like a roman candle in a craggy coastal cave and Captain Hook was there and I was Peter Pan and I laughed as Hook dodged the sparks of a zillion Tinkerbells and I yelled to a white breasted bird who sat high on a stone shelf pretending disinterest and staring instead at the dark cave wall where the word "Tomorrow" was written in long-dried blood above a pile of a dead pirate's bones, and I shouted up to her, swearing, "I will never stop looking back and forward, too," for the future is the smile of a crocodile, and each new year a deceitful crocodile tear. ''Back to Never Never Land," I hoorah'd to my Tinks, and I accidentally winked and was back in my bed and the crawfish slid down the windows with a flump like the lifeless forms of philosophers at a Paul Pot-Pinochet combo target shoot & barbecue. Flump. And then I woke up. And somewhere in between what I'm about to tell you about house-cleaning and ferrets and such, my eyelids swelled up and fell open like the floppy sides of a kiddie swimmin' pool and I cried and cried and cried for what I do not know. (Read the entire story here)
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